Bark at the Moon

Ozzy Osbourne

Jake E. Lee's hot-rodded Marshall: bright, tight '80s metal with more clarity than modern high gain — every note of the galloping riff speaks. Standard E tuning, D minor, fast (♩=150). Ultra Gain kept just saturated enough, with the TS tightening the open-string pedal tones.

Front of amp: Cheeky Pint (off) → TS Mini (on, tightener) · FX loop: GE-7 (on, '80s sheen) → Spark Mini (solos) → Flashback (on) → HOF (on).

Marshall DSL20H Ultra Gain — Lead 1

Channel: Ultra Gain
Mode: Lead 1
Tone Shift: OFF

Brighter and less gainy than it sounds on record — Jake's tone is a cranked Marshall, not a modern lead channel. The chord stabs over the open-A pedal must stay distinct; back off gain if they blur.

Tube Screamer Mini On — tightener

Low drive, level hot: keeps the palm-muted open-A gallop snappy at ♩=150 and adds the '80s upper-mid edge.

Cheeky Pint Compressor Bypassed

Off. The riff is all muted-pedal dynamics against ringing stabs — compression blurs that contrast.

TC Spark Mini — FX Loop Solo boost

On for both solos (mid-song and the outro). Jake's solos are busy — the clean lift keeps them on top without extra fizz.

Flashback Mini — FX Loop On — subtle

The '80s sheen is real now: a subtle ~300 ms repeat under everything, a bit more audible in the solos. Delay 4 ≈ 300 ms on the Flashback Mini — use the audio-tap (strum while holding the footswitch) to match the ♩=150 tempo.

Hall of Fame Mini — FX Loop On — light

Jake's record tone is wet — hall reverb plus the delay gives it the proper widescreen '80s depth.

Boss GE-7 — FX Loop On — '80s sheen

Rising top end = the glassy '80s Marshall sheen (Jake's record tone also has chorus/delay we don't carry — the 3.2 kHz lift fakes some of that shimmer). Small 200 Hz dip keeps the gallop clean.

Squier P Bass PJ pickups

Mostly neck with a little bridge brightness — the gallop needs definition without losing body.

Bass — Ashdown Perfect Ten Squier P Bass

Bob Daisley: galloping fingerstyle that mirrors the guitar's pedal rhythm. Tone ~60%. Keep the gallop even — it drives the whole song. (Mix stays at min — it's the line-in blend, not part of your tone.)

The Riff

Standard E, D minor, ♩=150. The whole intro/verse is a palm-muted open-A pedal with ringing D-minor chord stabs on top — mute the pedal notes hard, let the stabs ring. Watch the little 3p0 / 5p0 pull-off turnarounds.

  Main riff — PM the open A's, let the stabs ring
B|--10---------10---------10-------------8---------8-----------|
G|---9----------9----------9-------------9---------9-----------|
D|---7----------7----------7-------------7---------7-----------|
A|-----0-0-0-0----0-0-0-0----0-0--0-0--0---0-0-0-0---0-0-3p0---|
E|------------------------------------------------------------0|

  Turnaround lick (end of the intro cycle)
A|--1-0-1-3-1-0------|
E|---------------3-1-|

Two lessons with tabs — Ben Eller's covers every nuance of the picking:

Ben Eller — deep-dive lesson, riff mechanics and solos
Mr. Tabs — full play-through with on-screen tab

Songsterr Tab

Open "Bark at the Moon" tab on Songsterr ↗

Opens in a new window — Songsterr blocks embedding in other sites (X-Frame-Options), so it can't be shown inline. Use the "Jake E. Lee | Rhythm" track; switch to "Lead & Fills" for the solos.