Amp & pedal settings per song
Stage view: just the settings → Tuner (uses the mic) → Download the stage PDF for offline use ↓In signal order
In signal order
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Thick, modern pop-punk crunch. Ultra Gain tightened with the Tube Screamer.
Brian May's vocal, mid-saturated lead tone — treble-booster-into-cranked-amp feel.
The 1964 original: Dave Davies' slashed-speaker buzz. Cranked Classic Gain plus the Tube Screamer, big mids.
'90s skate punk at full sprint. Tight Ultra Gain, relentless downpicked mutes in F minor.
Tom Morello: mid-cranked Marshall crunch in Drop D. Way less gain than it sounds — all groove and mutes.
Dimebag: razor-tight Ultra Gain with the GE-7 doing the MXR V-scoop. Standard E tuning.
Jake E. Lee: bright, tight '80s Marshall. Galloping open-A pedal under ringing D-minor stabs.
Classic open Marshall crunch. Less gain than you think — let the amp breathe.
Quiet-LOUD in two minutes: Classic clean for the verses, Ultra Gain fuzz wall for the "woo-hoo".
Twangy garage-rockabilly. Low-gain Classic crunch that cleans up when you pick softly.
Thick American Idiot crunch in F minor. Tight Ultra Gain with the Tube Screamer.
Buzzy 1978 punk-pop, all downstrokes. Cranked Classic Gain crunch, no pedals.
East Bay Ray's surf-punk: bright, low-gain Classic crunch soaked in echo and reverb. Guitar volume down for the intro.