Four Kicks

Kings of Leon

Garage-rockabilly from Aha Shake Heartbreak: under two and a half minutes of twangy, punchy guitar at a gallop. Matthew Followill's tone is low-gain and bright — more a cranked clean amp than a distortion sound. One setting all the way through: Classic Gain on Crunch, kept low.

Front of amp: Cheeky Pint (light) → TS Mini (off) · FX loop: GE-7 (on) → Spark Mini (lead bursts) → HOF (on, light).

Marshall DSL20H Classic Gain — Crunch

Channel: Classic Gain
Mode: Crunch
Tone Shift: OFF

Low-gain crunch: clean-ish when you pick softly, a bit of hair when you dig in. That pick-controlled edge is the whole sound — single notes must stay twangy. Use the Spark Mini, not more gain, for the lead bursts.

Tube Screamer Mini Bypassed

Off. Its mid hump fights the bright, twangy tone this song needs.

Cheeky Pint Compressor On — light

A little squash evens out the fast picked lines and adds the country-style snap.

TC Spark Mini — FX Loop On — lead bursts

Kick on for the lead runs so they jump out over the rhythm.

Flashback Mini — FX Loop Bypassed

Off — a slapback delay would suit it, but keep it simple: tight and dry.

Hall of Fame Mini — FX Loop On — light

Just a touch of room to give the clean tone some air.

Boss GE-7 — FX Loop On — twang

Low end trimmed and upper mids lifted: that's the bright, jangly Followill edge. Works on both channels.

Squier P Bass PJ pickups

Mostly neck with some bridge for snap — the bass line moves a lot, so it needs definition.

Bass — Ashdown Perfect Ten Squier P Bass

Jared Followill: pick, driving and busy. Keep it punchy and tight with the kick drum. (Mix stays at min — it's the line-in blend, not part of your tone.)

Playing It

Fast, light, alternate-picked rhythm with a rockabilly swing. Keep the right hand loose and let your pick dynamics do the work. Check the Songsterr tab for the exact riff and tuning.

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Songsterr Tab

Open "Four Kicks" tab on Songsterr ↗

Opens in a new window — Songsterr blocks embedding in other sites (X-Frame-Options), so it can't be shown inline. Use the Matthew Followill lead track for the fills and the Caleb rhythm track for the verses.